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Books and Sounds

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Blue Topography  Publication and Audio Book  To Purchase >> Is a hand cut litho printed booklet of my writing, scores and images that navigates a journey into landscape and body, through voice and the blue of cyanotype prints. Images and text Lindsay Duncanson Designed by Deborah Bower at Foundation Press. To Listen >> Blue Topography explores the interconnected processes and thoughts around photography and voice through cyanotype prints and my improvised vocal practice . The words are read over and alongside field sounds and vocal improvisations created for the ‘Animal Wife’ album and the Blue Topography project . In addition I am so excited to add the talents of three extraordinary musicians and composers Jayne Dent (Me Lost Me) , Mariam Rezaei and Cath Tyler who have re-worked deconstructed and reimagined the audio that is interspersed within the show
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Animal Wife

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 The Wonderous TQ magazine and also the TQ-naut label Animal Wife by Pinnel ; An exceptional part of this project has been the support of TQ magazine. Their distribution and support . Getting it out to the world and sending the work to radio stations, meant that in a year that I couldn't perform the work was still shared on numerous web radios, and also BBC6 musics Freak Zone  https://tqzine.blogspot.com/ https://tqn-aut.bandcamp.com/music The Album is free to download on the TQ bandcamp page Do get in touch if you would like a hard copy. Links to other shows  FreakZone show BBC radio   6   YeahIKnowitSucks www.2bobradio.org.au DJ Marchelle ( Netherlands)    
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Reactor

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I drove late and tired to the the reactor. I had in my mind the weather, the expectation of a place I know very well. The wind, the coast, the drone of the reactor, the birds, the big sky. A busy place that still gives you a sense of solitude. Heavy industry, heavy machinery. The print I made here was with the seals and fly by planes.  As industrial as the site is, it always feels like a link to the wild . A kind of periphery; Curlews and outflows.  A kind of intersection between humankind the natural world    So I had gone with a sense of that, the energy I would bring would be a bit frenetic or have a dense energy.   But Teeside had other ideas.  Mirror calm, full tide.  It was entirely still.  And I couldn't bring myself to make the kinds of sounds I had planned, or at least had assumed I might make.  The air was still , the light was very low and grey. I had some amazing ocular migraines inhibiting my sight.  I went...
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